Wild Arts Festival Postcard

Here is the postcard for the Wild Arts Festival.  I'm so excited to have my crow painting featured on the card!  Happily, the original is available, and will be at the show.

I just shot some new photos of the little crow family that dines here at my house, so I will be working feverishly to have some new crow paintings to show at the festival.

Crow Family Portraits VII  12x12 pastel

What's New?

Here we are...November already!  The summer absolutely flew by.  I  have one new paintings to show, and a lot of work that needs a little more attention before it's ready for viewing. 

 I participated in Roseburg's Umpqua Plein Air competition in September, and am finishing up three paintings for the Oregon Society of Artists "200 for $200" show that opens this Friday night.  I'll post those soon- they're not quite finished yet.  I also participated in my first Painter's Showcase show at the end of September.  This painting won an honorable mention...

Goosey V  11x14 pastel

So now I'm working to get ready for the Portland Audubon Society's Wild Arts Festival, November 22 &23 at Montgomery Park in Portland.  I was thrilled to find out that they used one of my paintings on the promotional postcard as well as the two for  one coupon.  Sweet!!!
 Click here for 2 for 1 coupon- Wild Arts Festival

A Tricky Start to the Plein Air Season

 And we're off.  Plein air season has begun.  I say this as rain pounds against my window.  It's just a spring thundershower, but wimpy me is inside with the heat on.  Maybe I'll go outside to paint tomorrow...

I did get my paintings submitted to Plein Air: A Chronicle of Lake Oswego which is part of Lake Oswego Festival of the Arts  June 20-22, 2014.  They were due last Friday, and even with the grandkids here, I got the photos of the paintings shot and emailed.  At least I thought I did. Yesterday, I got a frantic phone call and email from the organizers, wondering where my work was.  What?  I sent it.  And they didin't have it.  I had no idea that there was a problem.  No messages on the computer that it didn't send...nothing.  The organizers graciously allowed me to resend the images.  I'm not kidding...it took 15 emails to get the images to them.  Six images.  I tried sending them all at once, splitting them into groups of three, sending them individually...and they finally all got there after 15 tries.  Some of the emails just vanished in transit, which I think is really weird.  I don't get it, but I'm happy that they arrived!

Here are the pesky images that they will be picking from...all painted on location in spring weather at Lusher Farm in Lake Oswego, and the Upper Easement next to Jantzen Island.

I Know A Place   12x24 plein air- oil paint   N Equall

Through The Trees   12x12 plein air pastel  N Equall

A Warm Welcome  12x16  plein air pastel  N Equall

The Way Things Used To Be  12x12 plein air pastel  N Equall

Lucky Clover  6x6 plein air pastel  N Equall

Along The Path  6x6 plein air pastel  N Equall

Plein Air: A Chronicle of Lake Oswego

I am excited to be an invited artist participating this weekend and next in Plein Air: A Chronicle of Lake Oswego.  I'll be painting this Saturday, May 10 at Luscher Farm in Lake Oswego, and somewhere down by the river with Jackie McCartin at Foothills Park/Roehr Park  on Sunday.  My fingers are crossed that the weather is cooperative!  Paint out days are May 10-11 and May 17-18 Finished artwork will be displayed at the Lake Oswego Festival of the Arts June 20-22.

-click on the link below for more info, and to see a list of the other participants-
Plein Air: A Chronicle of Lake Oswego

Umpqua Plein Air 2013- Best of Show!

First Look   6"x6" plein air pastel  Best of Show- Umpqua Plein Air 2013

This was my third year participating in Umpqua Plein Air, put on by the Umpqua Art Association in Roseburg, OR.  As in previous years, the plein air event was wonderfully organized, with all the information spelled out ahead of time.  The actual schedule of events was different from previous years...this year, the quick draw was held for two hours on the afternoon of the first day.  

I arrived in Roseburg about an hour before the event began, so I had a chance to check in to my favorite little place to stay in Roseburg, the Rose City Motel.  It is the cleanest and most comfortable motel I've ever stayed in, and at about $50 per night, it is a real bargain.  The rooms look like they are straight out of Country Living magazine circa 1983.  I was in the garden room, and the bed was as comfortable as my own at home.  

The quick draw was held in the park outside the Umpqua Art Association gallery.  My painting was nothing to write home about.  It happens.  Plein air painting is hard!  

Quick draw entry- photo shot in the back of my car, complete with reflections on the glass and poor color choices.  It started off a pretty nice painting, but I killed it somewhere along the way.  Oh well.

There was a catered dinner in the park after the quick draw, followed by a nice talk from the show juror Brenda Boylan, who spoke on the Good, Bad and Ugly in regards to painting plein air. 

The next day dawned partially cloudy, with a high chance of thunder showers.  I had signed up to paint at the Norris Blueberry Farm about ten miles NW of Roseburg.  The farm was awesome.  I wandered around for about a half hour, taking lots of photos and trying to decide where to set up my painting gear. Once I got near the pond (complete with two swans), I knew my search for a painting place was over.  It was absolutely amazing. The swans begged to be painted- beautiful white feathers, exotic black lined eyes and beaks, and then those weird legs that looked like their flesh colored tights were falling down.  They spent over an hour preening themselves on a little island just off shore from where I set up my easel, and I was very tempted to paint them, but I just couldn't once I started to really soak in the territorial views.  

I couldn't decide which view to paint, so I started two paintings- one looking north, and one looking east. I could see both directions from my easel. Because of the chance of rain, I set up my big Eddie Bauer beach umbrella from Costco.  It's huge, it's beige, and it works.  

I am a fair weather girl, and I just don't paint outside when it's anything but dry and pleasant. That is, up until now.  This was a timed event, and I had until 4 pm to produce something for the show.  I was pretty excited about the sky show that was going on, and the constantly changing state of the light on the landscape.  A pretty major storm was moving into the northwest, and it was fascinating to be a witness to the subtle and not so subtle changes.   

I chose to do a 6x6 and a 12x12 painting for the competition.  I hoped that at least one of them would turn out ok.  I never know if my idea is going to pan out, especially with the added stress of being in a timed competition.  Painting outdoors is challenging under the best of conditions.  I settled on my compositions, sketched them in, and using thin oil paint, completed both underpaintings.  It was feeling pretty humid outside, so I did a little blotting onto the underpaintings to try to get them to dry faster.  I didn't want to put much pastel onto the surface before the Gamsol was dry, as it melts the pastel onto the surface, and gives a darker look to the light colors.

photo- the view to the north, Norris Blueberry Farm

The 6x6 almost painted itself.  As soon as I noticed the sun lighting up the edge of the treeline, I was interested.  Then I noticed the trees that were a bit further back, and that I could see through the trunks to the fields behind.  That was it. I was totally besotted with the scene.  I love it when that happens!

The 12x12 scene was almost as easy to choose.  The view up the valley was spectacular, especially with the storm clouds piling up against the mountains to the east.  Purple and blue. Delicious!

I had not really planned for inclement weather.  I had a fleece zipup, but I had neglected to bring long pants or real shoes.  I was fresh from Hood River, and it had been around 90 degrees there.  If not for that Eddie Bauer umbrella, I would have been up the proverbial creek.

As the storm blew in, it got colder.  The wind started blowing.   And then it started raining.  Hard.  I saw other artists make a run for cover, and I thought about packing it up, but then I realized that I was dry under my umbrella. My easel, cart, pastel box- everything stayed totally dry.  I was chilly, but dry.  I figured I may as well stay put and finish my painting.

I was amazed when, in the middle the pouring rain, there was a tiny break in the clouds behind me and a brilliant ray of sun lit up the trees I was painting.  It lasted about 45 seconds, and was absolute magic.  I've never seen anything like it.  Probably because I NEVER paint outside when it is raining. It was fun adding the bright gold sunlight to the back of the field in my painting, and made coming up with the title much easier!

Sunbreak   12x12 plein air pastel    N Equall

I had no problem finishing both paintings before 2:30, and was even graced with a break in the rain, allowing me to pack up and get back to my car without getting soaked.  I backed into an open shed, and got both paintings framed without incident, and then safely turned in at the art center.

I was totally surprised and thrilled to be awarded best of show for my little 6x6 painting First Look.  The paintings from the plein air event will be on display at the Hallie Ford Gallery at the Umpqua Valley Art Association in Roseburg through October.

I'm looking at these cloudy skies a little differently now, and actually had another opportunity to paint an approaching storm a couple of weeks later at the Hillsboro Plein Air event. More on that next time...

Intermission- between Hood River and Roseburg

Yamhill County  24x24 pastel  N Equall

September has been my art vortex of craziness.  The saga continues...

Cluck  12x12  pastel - Note there are weird reflections in the glass- I will replace this image as soon as I get the painting back...I forgot to take the photo before framing, and figured awful was better than nothing! OSA Gallery

PNPA was finished, and I had one day in Portland before I had to be in Roseburg (175 miles south of Portland).  I was afraid that we were going to run out of food for our diabetic dog while I was out of town, so I cooked up a batch of chicken, vegetables and barley, did five loads of laundry, straightened up the house,  framed two pastels for the OSA Fall Juried show, dropped them off at the gallery, and repacked for the three day plein air competition in Roseburg.

Crow Family Portraits IV  pastel   N Equall
Artreach Gallery thru 9/29/13

I was already committed to participate with the Westside Artist Guild in a group show at the Artreach Gallery in downtown Portland in a show titled Five O'clock Shadows.  I decided to use only bird paintings for that show, so before I had left for Hood River,  I packed and delivered ten 8x8 pastel bird portraits , and three 12x12 crow portraits for my friend and artist Patty Gifford to deliver to the gallery for me.  That show will be up thru September 29.

Next time...Umpqua Plein Air 2013!

Pacific Northwest Plein Air 2013

All I Ever Wanted  6x6  plein air pastel  N Equall

This past month has been bananas!  Like the rest of my crazy life, everything happens at once, and September has been no exception.  I participated in three plein air competitions,  had 15 paintings in two group shows, and have been preparing for the Fall Home and Garden Show at the expo here in Portland, OR which will set up Oct 2.

May Days  6x6  plein air pastel  N Equall

At the end of August,  I went to the Columbia River gorge to participate in Northwest Plein Air 2013, a juried plein air event put on by the Columbia Art Gallery in Hood River, OR.  A juried event is one where the artists submit an application with examples of their work and the organizers choose who they want to participate, in this case 35 artists.  This was my third year participating in this event.   I rented a great one room cabin in White Salmon, WA using www.airbnb.com.  It was just across the Columbia river from Hood River,and served as a peaceful home base during the five day paintout.  For this event, each artist could submit up to five paintings at the end of the five days of painting, all done in plein air, meaning they were all painted outdoors in the open air, and had to be painted within the past year.  

Fluorescence  11x14 plein air pastel

I was a bit nervous about the weather.  It had been stormy during the week before the event, and the hard rain actually woke me up the night before the event started.  I was pleasantly surprised on the first day when the alarm went off at 6 and the sky was bright pink with no clouds in sight.  It ended up being hot and sunny during the days of the paintout.  I brought two finished plein air paintings with me, one painted in May across the gully from the Tom McCall Nature area in Rowena, and one painted at Wild Rain Lavender Farm in Yamhill.  I painted and framed three new paintings during the paintout- two painted at The Gorge White House, and one painting of the view looking east down the gorge from the AniChe Winery in Underwood, WA.

Painting is normally a solitary endeavor, although I do attend a weekly open studio at Oregon Society of Artists, and oftentimes paint outdoors with another artist or two.  Attending plein air competitions is the complete opposite- lots of people painting similar subjects in the same real estate.  I love getting to know the other artists, but it can really mess with my mind to see other artists doing spectacular things when I either haven't started, don't have a clue as what I'm going to do, or don't like what is happening on my easel.

Inevitable  11x14  plein air pastel  

Then there is the problem of where to paint.  The gorge and surrounding areas are stunning, but deciding exactly where to paint can be a real problem.   The organizers had suggested painting locations every day, and they were all terrific.  I have to find some type of connection, inspiration or emotion with the landscape if I hope to come up with a painting that pleases me.  That little piece of the puzzle can be elusive. It's always such a relief when an idea for a painting  floats up to the surface like the answer on a Crazy 8 ball.

 I struggled a bit, but finally came up with three paintings that I wasn't embarrassed to let people see.   I spent my last day at a nice quiet park with a boat launch on the Washington side of the river where I touched up and framed my finished paintings.  I really wished I had found that park earlier in the weekend, because it had a beautiful brushy wetland area with the gorge as its backdrop.  Next year.  

The Sunny Side   12x12 plein air pastel

As Labor Day weekend came to a close, I turned my paintings and cabin keys in a day early, and drove back to Portland to spend an extra night at home to do laundry, regroup and repack the car before driving to Roseburg, OR to participate in Umpqua Plein Air 2013.  

The Plein Air Northwest show at the Columbia Center for the Arts in Hood River, OR will be up thru September 29.  

Fresh Off the Easel- new paintings

Fresh off the easel!

May Days   6x6  plein air pastel  

Out to Pasture   2.5x3   plein air pastel

Untamed  12x12  plein air pastel  

Crow Family Portraits VI    12x12  pastel     N Equall

not yet titled    16x20  plein air pastel   N Equall

not yet titled   6x6   plein air pastel

not yet titled   18x24   plein air pastel  

The Mighty Bushtit   24x24   pastel

Summer Plein Air Fun

As usual, the seasons are flying by.  It's already midsummer.  My yard is filled with a variety of fledgling birds, all screaming for food.  The phlox and bee balm is blooming and the lawn is going brown. My feet are tanned from hours of standing in at my easel attempting to paint just a speck of the beauty and magic that we call summer in Oregon.

I just finished two weeks of painting area lavender farms for the Yamhill Lavender Festival Plein Air Art Show and Sale.  The show this year was gorgeous, with work from 50 artists.  The actual festival is over now (it's always the second weekend in July), but a selection of  paintings will be on display at Currents Gallery in McMinnville and the Coldwell Banker Office in Newburg.  I have two paintings from the festival at Currents.  They will be on display through August. McMinnville has a nice artwalk the 3rd Saturday of the month 5pm-9pm.  Stop by this Saturday evening for a glass of wine and take a look!

The Sunny Side  12x12 plein air pastel    N Equall     Currents Gallery- McMinnville OR
 Excellent award at Yamhill Lavender Festival

Wild Imaginings   20x20  plein air pastel   N Equall    Currents Gallery- McMinnville OR

New Year, New Paintings Part 2

W S Jay I  pastel  6x6

W S Jay II  pastel  8x10

W S Jay III  pastel  8x10

Songs of Love  pastel  8x10

Commonwealth Goose  pastel  8x8

Amused  8x8  pastel
available at Currents Gallery  McMinnville Or

New Year, New Paintings

I have been having a blast painting the local crows.  They're loud, clever, and endlessly fascinating to watch.  I just love their rictal bristles(those whiskery, eyelash looking feathers between their eye and beak).

I will have these paintings, along with much more at the Spring Home and Garden Show next week (February 20-24) at the Expo Center in Portland, OR.  I'll be set up in the Artisan Village, along with some of my Oregon Society of Artist buddies.  I will be spending my time painting during the show, so I'll have my own little studio area set up.  This is my second year at the show- it should be great!  Click on the following for a discount coupon into the show...Click here for $2 off coupon to the Spring Home and Garden Show!

Crow Family Portraits I  pastel  12x12  N Equall

Crow Family Portraits II  pastel  12x12  N Equall

Crow Family Portraits III  pastel  12x12 N Equall

Crow Family Portraits IV  pastel  12x12 N Equall

How the Yamhill Lavender Festival Changed My Life

I started participating in the Lavender Festival Plein Air Art Show in 2008.  I had been plein air painting for several years,and no one but my painting buddies and family ever saw anything I did.  When I read a flyer for the festival plein air paint out and show, I knew it was something I wanted to do.  For a small fee I'd have access to about twenty five lavender farms for the two week period before the art show.  My friend Mary and I dared each other to enter at least one painting into the show.  I had never framed any of my paintings before.  

I furiously painted during the two weeks.  I think I visited about ten farms that first year, and had a terrible time framing the one painting that I entered into the show, but I did it.  It was scary and exciting to put my work out there.  My painting hung for the two day show, and then I brought it home. 

A Wild Debut 20x20 pastel
2008 Yamhill Lavender Festival entry

The following February I got a phone call that my painting from the lavender festival had been chosen for the poster and catalog promoting the festival for 2009.    I didn't even know that was a possibility.  I was so honored.  I had to provide an artist's statement and photo for the catalog, so I learned how to put one of those together.  It took me a whole afternoon of agonizing to put two paragraphs together.    That summer, I felt like a minor celebrity when a lavender farm owner recognized me from the catalog and insisted that she must introduce me to her employees and customers.  She thanked me profusely for coming to her farm to paint and kept my complimentary glass of lemonade full while I was there.  

In 2009, after the two day art show in Yamhill, the remaining unsold artwork was split up between several galleries in McMinnville and Newberg and displayed through August.  This was an amazing opportunity for artists like me who were completely inexperienced and had never dreamed of being in a gallery.  I received an honorable mention that year from the festival, plus sold several paintings at the festival and at the gallery.   I was painting because I loved it, but the recognition and sales made me even more determined to become a better painter, improve my skills, and make marketing my paintings a reality instead of a daydream.

In the years since, I've continued to look forward every year to the Lavender Festival.  I have a special feeling for Wild Rain farm in Yamhill, the site of my first year's painting, and make a point to go back there every year to paint.  I spent four glorious days painting there this year.   I don't know what it is, but there is something that just feels right when I'm there and it makes me so happy to be there and to paint there with Laura and her cats and dogs and lavender and the droning of the bees.  It's like being inside of a wonderful summer poem.

I am so honored to have won this year's first place award for my painting  Wild Dreams, which I painted at Wild Rain Farm as part of this year's festival.  I am especially proud because it was painted with love at a place I hold so dear.  

I was able to go back for one more visit on Monday of this week, and got two paintings in.  The lavender is scheduled to be harvested tomorrow, and the poppies will be tilled under.  I'm already looking forward to next summer.

Wild Dreams   12x12 pastel  sold

A Few New Paintings

Puffed Up  8x10 pastel

On a cold, foggy April morning, I came across this little red winged blackbird, sitting on a sign post on the side of a country road out by Hillsboro.  It wasn't bothered by me and the camera, and seemed content to hang out while I clicked away.

A. Crow  8x10 pastel

A. Crow is one of my neighborhood crows.  This crow loves tasty morsels, but is very skittish.  One day I put a couple pieces of dinner roll on the deck for the birds.  The crow watched and waited as a Steller's Jay took a piece into a nearby tree. Rather than fly down for her own piece, she went after the Jay and stole its piece.   About an hour later my husband said that as he was driving home he saw a crow fly over the road with a large piece of roll in it's beak.

Misunderstood  8x10 pastel

Another goose.  I was at my neighborhood park, and there was only one goose left.  I don't know what happened to the rest of them.  The goose spends a lot of time hissing at anybody who comes close to it.  I understood why when I saw a nice looking family walk by the goose, and they allowed their leashed dog to lunge at the goose.  They laughed that it was funny when the "mean goose" had to run for it's life to get away from their dog's snapping jaws.

Visual Arts Showcase November 5-13 2011

Out & About

Listings of arts, entertainment and leisure activities in the Tigard and Beaverton areas

The Times, Oct 27, 2011

SUBMITTED PHOTO / FOR TIMES NEWSPAPERS

“One Last Look Before I Go” by artist Nathalie Equall is one of the pieces to be shown in the Visual Arts Showcase scheduled for Nov. 5-13 at the Beaverton City Library.

ART

VISUAL ARTS SHOWCASE – The 29th annual event sponsored by Reser’s and presented by the Beaverton Arts Commission is Nov. 5-13 at the Beaverton City Library, 12375 S.W. Fifth St., during library hours. The event is free, the art is for sale. Call 503-526-2379. For more information, visit beavertonarts.org. Also planned is a media workshop for artists and performers presented by the Westside Cultural Alliance on Saturday, Nov. 5, at 10:30 a.m.; Music in Small Spaces presents The Oregon Guitar Quarter on Sunday, Nov. 6, and Flute, Viola and Harp on Sunday, Nov. 13, Teen Art Show Nov. 17-23, Family Art Day presented by the Washington County Museum and Print Arts NW Nov. 19, 10 a.m. to 2 p.m. and more.